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　　MassimoSiragusascomplexand,inmanyways,enigmaticprojectdemandsalongintroduction.HowhasSiragusachosentoportrayItaly?Aretheselandscapephotos?Snapshots?Portraitsofplaces?Isthisananthropologicalcollectionwithveryfewhumans?Oranarchitecturalcollection?Theanswertoallofthesequestionsisinvariably:no.Siragusasentirecollectionisshotthroughwiththisevocativeenergy.Italyisalandoftheatresetsandeventsthat,simplybytakingplace,createdthespacefortheirownrepresentationfromLucaDoninellisintroduction

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Born in catania, italy, massimo siragusa is rapresented by

contrasto since 1989. he lives in rome.

His pictures have been published in the most important

international magazines: New York Times Magazine, Time, Newsweek,

The New Yorker, US News, Travel Leisure, Marie Claire, “d”di

repubblica, io donna, vanity fair.

He has signed advertisement campaigns for: a2a, lavazza, auditorium

di roma, kodak, comune di roma, atac/roma, eni, aeroporti di

milano, bat italia, regione lombardia, alfa romeo, bnl, toyota,

mychef,  igp, societa’ pedemontana, boscolo hotel, provincia

di milano.

　　Luca Doninelli was born in Leno (Brescia) in 1956. His father was

from Brescia, and his mother from Florence. His grandfather was an

important painter, which significantly influenced the author’s

life. After an adolescence spent in uncertainty between literature

and rock music, he followed the first path graduating in Philosophy

with a thesis on Michel Foucault. In 1978 he met Giovanni Testori,

who encouraged him to write his first book, Intorno a una lettera

di Santa Caterina, published in 1981.

　　Among his novels, I due fratelli (1990), La revoca (1992), Le

decorose memorie (1995), Talk show (1996), La nuova era (1999),

Tornavamo dal mare (2004), La polvere di Allah (2006). Among the

essays, Il crollo delle aspettative (2005) dedicated to Milan. A

couple of years ago he started practising and teaching Narrative

Etnography at university, which led him to two works: the volume

Cattedrali (2011), and the collective project Le nuove meraviglie

di Milano, in six volumes of which the first two have been

published, Milano è una cozza (2010) and Michetta addio (2011).

Among other prizes, he has been awarded a Premio Selezione

Campiello, a Grinzane Cavour, a Supergrinzane, a Premio Napoli, a

Premio Scanno. Moreover, he was finalist for the Premio Strega, in

2000, with La nuova era.

　　He has collaborated with many national newspapers, such as

Avvenire and Corriere della Sera. At the moment, he is

collaborating with Il Giornale, Vita, as well as an online daily

newspaper Il Sussidiario. He has been member of the Board of

Directors of Eti (Ente Teatrale Italiano) [Italian Theatrical

Organization] and of the Piccolo Teatro in Milan.

　　He has written many introductions to art and photography

catalogues. In particular he collaborated with Gabriele Basilico

for the exhibition Istanbul 05-010 (Milan 2011).

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